Tuesdays, 15 Jan – 26 Nov 2019 9.30am – 4.30pm
This three-term course will give participants an opportunity to prepare a portfolio and hone their presentation skills which could be used for entering art courses at university level. It is a non-accredited course, aimed at mature students or younger people who would like the foundation ‘experience’.
Artists/tutors from the Island will give a range of classes which will take place every Tuesday at Quay Arts and Jubilee stores, focussed either on theory or practice.
You will be expected to do some homework, but this is not extensive. In the final term, there will be the opportunity to participate in an end of term exhibition at Quay Arts in December.
This Island- based course will give you all you need to create an exciting and impressive portfolio.
Some materials will be provided and there will be a list of materials for you to bring with you, given at the beginning of each term.
The course is limited to nine students.
To book, contact Box Office on 01983 822490 or book online at www.quayarts.org
Enquiries to Lead Tutor Nick Martin at email@example.com
Term 1 in brief (Tuesdays 9.30am – 4.30pm)
15th January – 26th March (Half term 19th Feb)
AM Still life drawing, natural form drawing, perspective, mark making, basic life drawing and charcoal Drawing.
PM workshops in textiles, ceramics and printmaking.
Term 2 in brief (Tuesdays 9.30am – 4.30pm)
23rd April – 2nd July (Half Term 28th May)
AM Colour theory, Photoshop, colour mixing principles, colour perspective, colour monoprints.
PM Landscape painting, sewn textiles and paper sculpture.
Term 3 in brief (Tuesdays 9.30am – 4.30pm)
10th September – 26th November (half term 22nd October)
AM Graphics/poster/typesetting on Photoshop, illustration from a text, anatomy in life drawing, presenting work, framing and preparing visual publicity for an end of year exhibition at Quay Arts.
PM Illustration, Photoshop, mosaic and jewellery.
Materials List for Portfolio Preparation
A range of soft and hard brushes for watercolours and oils.
Set of oil and acrylic paints
Colours: Lemon yellow, Cadmium yellow, Vermilion, Alizarin Crimson,Violet, Ultramarine Blue, Cerulean or Pthalo Blue, Veridian, Chrome/leaf Green, Black, White, Burnt Sienna, Yellow Ochre.
A range of pencils
Thin and Thick Charcoal, Putty rubber and plastic eraser
Ruler, Paper knife, Scissors, Masking tape
A3 Block of Watercolour Paper
Artist materials on discount for Portfolio Preparation Students
WBS /Lot 3 artist materials on discount
3 Daish Way, Newport PO30 5XB 01983 822229
Or, not on discount : Forget Me Not, 70 Upper St James Street Newport
Isle of Wight PO30 1LQ 01983 522291
Meet the tutors…
Nick Martin (Lead Tutor)
Visual Studies, Life Drawing & Photoshop
I am a figurative painter and my work is based on drawing principally. I concentrate on portraiture, influenced by 15th and 16th century artists, both secular and religious. I am influenced by the innovations of the impressionists, and bring this into Photoshop, which I use as a tool for my paintings. My work relies on the eye of the observer to mix the colours and make sense of the broken surfaces.
I run life drawing at Quay Arts and private classes in Ryde.
To see more of Nick’s Artwork please go to https://nmartiniow.wixsite.com/website
A painter, originally specialising in watercolour. Now more of an oil painter with occasional excursions into other mediums, acrylics, metal leaf and even CGI.
Landscapes and marine painting form the bulk of my work, largely traditional and figurative in style, but some stylised work. In addition, I enjoy portraits, botanical drawing and, increasingly, abstract painting.
My work has been exhibited widely in this country, including The Mall Galleries, Bankside Gallery and The National Maritime Museum in London; overseas in New Zealand and Oman, and is many private collections.
I’m a member of The Royal Society of Marine Artists.
To see more of Martin’s Artwork please go to www.martinswan.com
Clair studied ceramic design in the early 80’s and was production managed for a local pottery for many years. Returning to college to complete teacher training in adult education, Clair started teaching pottery for the Isle of Wight College in 1988. Since the 90’s Clair has taught a wide range of ceramics techniques at Quay Arts, including how to throw a pot.
On this course you will learn how to prep and wedge the clay, learn the correct hand shapes and positions to use to throw your first pot.
I specialise in ceramics, tiles and mosaics in both indoor and outdoor settings. Ceramics are very suited to public settings, because they are tough, easy to clean and maintain, and vandal-resistant. Knowing my materials is important to me. Because I hand-make most of my pieces, I can obtain both bright and subtle colours to suit any design. I also make ceramic animals. As a qualified landscape designer I know how to integrate work into outdoor settings.
To see more of Marion’s Artwork please go to http://www.marionbrandis.co.uk/
Jennifer Holloway-Bridges’ passion for jeweller-making started when she was very young. After studying art and design in 6th form, she went on to complete a two-year Design Metals HND at Plymouth Art College. On her return to the island, Jennifer became an apprentice at Benzies in Cowes. As well as being a jewellery tutor for Quay Arts and is a studio holder at Jubilee Stores, where she designs and makes her own pieces.
Textiles & Dyeing
I paint in the traditional medium of egg tempera, on wooden panels which I prepare myself. In my early twenties I studied iconography in France and later studied for an Honours Degree in European Thought and Literature, at what is now Anglia Ruskin University, Cambridge. My return to a creative practice included working with constructed textiles, dyes and screenprint. I have regularly attended courses at West Dean College, over many years, and have a particular interest in traditional materials, as well as painting and printmaking techniques. I also work with natural dyes made using materials I gather and prepare myself.
To see more of Melanie’s Artwork please go to www.melanieswan.co.uk
I have been inspired by several different cultures including the Inuits in British Columbia, the American Indians, and the indigenous people in Africa. Their simplicity and spiritual meanings have inspired me to try my hand at many things.
During my Mosaic workshops I show simple approached to shape and colour and encourage a free spirit to show your expression in the work. There are few rules and mistakes are good as this is how we learn. Our passions and our personalities are brought to the surface to create beautiful art.
Ian Whitmore graduated from Brighton University with a degree in Fine Art Printmaking, before co-founding the Borbonesa Art company, specialising in creating artist books.
Based at Quay Arts Jubilee Stores since 2009, Ian combines a studio practice inspired by the Natural World and artist collaboration, with the delivery of creative workshops and projects to individuals and cultural organisations across the South East.
Current practice focuses on printmaking, drawing, paper-cutting and collage
To see more of Ian’s Artwork please go to ianwhitmore.co.uk/
Recognised predominantly as a sculptor I tend to work with everyday materials found or re-cycled to produce my work, most recently using wire and household paint to translate heavily populated urban dwellings or slums, that have long been a fascination of mine, into 3D paintings and sculptures.
To see more of Russell’s Artwork please go to www.russellwestfineart.co.uk
Marius von Brasch
Most of my work – painting, works on paper, digital video – is about the idea of transformation or process, which in my understanding relates to layers of the ‘self’, to memory, force, time, otherness.
Frequently, my works reference mythology and source images, which pick up these subjects, especially from alchemical Renaissance imagery and Baroque paintings.
In my practice I deliberately join ancient and contemporary influences in a field between the handmade, ‘authentic’ and digital media. Practice is based on the immediacy of mark making, on fragmentation as marker of time and a calculated input of digital technology.
To see more of Marius’s Artwork please go to www.mariusvonbrasch.co.uk/
Large scale charcoal drawings have formed an important element in my work since I began my career. They are equivalents of the paintings in oil which I also make, rather than preliminary or supporting studies for those paintings. I like the simplicity of means which charcoal offers and the range of expression which it is possible to achieve. Subject matter includes the figure, landscape and animals with art historical associations and echoes.
To see more of Bridget’s Artwork please go to www.bridgetmacdonald.co.uk
Botanical & Text Illustration
After studying technical illustration and botanical art at college I worked for 25 years as a medical illustrator for various publishing houses. Initially my work was with pen and ink preparing colour overlays and as the digital era began I began to use Illustrator and Photoshop discovering new ways of creating fine detailed anatomical work
My work now comprises of digital artwork created in illustrator commissioned for books, painting using oils and watercolors. My painted work tends to be on a larger format. I work from plants and from photographic reference. I also have a love of portraiture.
Relief Paper & Sculptures
Paper has been the core material running through my work in recent years. Its immediacy, familiarity, low cost and boundless applications seem to make it a material to satisfy almost all creative urges. In my work I am interested in a simplicity and quietness of form alongside bold geometric shapes, with a reduction in colour to predominantly white and shades of ivory. In tandem to this I also work with the opposite – flamboyant, baroque and organic shapes and forms in sumptuous golds and black. I’m currently working on a series of ‘Lost Fauna’ that tries to marry up these two strands.
To see more of Hannah’s Artwork please visit:
Known mostly for my paintings of the Solent Forts, recent years have seen a shift to contemporary drawing, entirely abstract, in which the mark itself is king.
To see more of Penny’s Artwork please visit:
My current work is directly influenced by my local environment and I draw upon man-made artefacts and structures peculiar to coastal living. Through practice-based research, I experiment with developing and applying a distilled vocabulary of shapes, materials and textures. Exploring the ways in which humans have developed methods of survival on and by the sea has exposed an ingenuity and craftsmanship that I find compelling and extremely relevant in contemporary society. I am particularly interested in the concept of buoyancy as this for me resonates across personal and political contexts.
To see more of Abigail’s Artwork please visit:
TO BOOK PLEASE CALL BOX OFFICE ON 01983 822490